Book #55: Touch the Dark

Karen Chance's Touch the Dark was my second attempt at urban fantasy. This was also the first in a series, but I don't think I'll be continuing with this one.

Cassandra Palmer has spent half of her life as an unwilling member of the vampire royal court, and the other half of her life on the run. She is sought for her clairvoyant abilities. Beyond that, everything is extremely muddled.

The author spends pages explaining some things, and then no time at all explaining others. Her vampires are also able to feed off humans by absorbing blood (sometimes from across the room) and no biting is necessary. That was a little too much artistic license for me to swallow. It kind of completely eliminates one of the things that makes vampire legend so compelling.

The main character also seems to jump around in time to a dizzying degree and I rarely wanted to follow her.

Book #54: Dead Witch Walking

Kim Harrison's Dead Witch Walking is my first foray into urban fantasy. The Sookie Stackhouse novels would probably fit into that category if they weren't, you know, rural.

Rachel Morgan, witch and bounty hunter for the government, ends up on the run when she quits her job. She's wanted dead or alive, gets kicked out of her apartment, and has to move in with her new partners: a vampire and a pixie.

It was interesting to read something from the witch vein instead of vampires for a change. Though the book feels a bit vague on whether or not witchcraft is inherited or anyone can pick it up. The fact that charms can be purchased in stores and witches have to train in school, takes away some of the mystical aspect.

This is the first in The Hollows series and I will likely continue on in the series.

Book #53: Smash Cut

Smash Cut is Sandra Brown's newest novel, using her newest formula. Two main characters meet, become intimate ridiculously fast, and then get to know eachother and solve a mystery. (See: The Switch, Exclusive, and Play Dirty)

Criminal lawyer Derek Mitchel and gallery owner Julie Rutledge are drawn together by the murder of her lover and benefactor. Of course many things will throw a wrench in their relationship, including psychopathic stalker Creighton Wheeler.

This was fairly quick paced though I found myself irritated by Sandra Brown's ability to write flawed and complex men, but mostly bland fragile women. But what she does is exceptionally well is psychopaths. (Her villain in Unspeakable will scare the crap out of you.)